| Hombre | |
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Theatrical release poster |
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| Directed by | Martin Ritt |
| Produced by | Irving Ravetch Martin Ritt |
| Written by | Irving Ravetch Harriet Frank Jr. Novel: Elmore Leonard |
| Starring | Paul Newman Fredric March Richard Boone |
| Music by | David Rose |
| Cinematography | James Wong Howe |
| Editing by | Frank Bracht |
| Distributed by | 20th Century Fox |
| Release date(s) | March 21, 1967 |
| Running time | 111 minutes |
| Country | United States |
| Language | English |
Hombre is a 1967 revisionist western film directed by Martin Ritt, based on the novel of the same name by Elmore Leonard. It stars Paul Newman, Richard Boone, Martin Balsam, Diane Cilento and Fredric March.
Newman's amount of dialogue in the film is minimal and much of the role is conveyed through mannerism and action. This was the sixth and final time Ritt directed Newman, they had previously worked together on The Long Hot Summer, Paris Blues, Hemingway's Adventures of a Young Man, Hud and The Outrage.
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In late 19th-century Arizona, an Apache-raised white man, John Russell, faces prejudice in the white world after he returns for his inheritance (a gold watch and a boarding house) upon his father's death. Deciding to sell the house in order to buy a herd of horses—which does not endear him to the boarders who live there or to the caretaker, Jessie—Russell ends up riding a stagecoach with Jessie and unhappily married boarders Doris and Billy Lee Blake leaving town.
Three others ride with them: Indian agent Professor Alexander Favor, his aristocratic wife Audra and the crude Cicero Grimes. Mrs. Favor eventually dislikes Russell enough (upon discovering that he is an Indian) to request that he ride up top with driver Henry Mendez.
The stagecoach is robbed by a gang led by Grimes, who knew that Dr. Favor had been carrying money that he stole from the very Apaches whom Russell grew up with. Grimes rides off, taking Mrs. Favor as a hostage.
Russell manages to shoot two of the outlaws—one of whom is Jessie's lover, sheriff-gone-bad Frank—who have the stolen money in their saddle bags. He insists that Dr. Favor give the recovered money back to him. The bigots he rode with now appeal to Russell to lead them to safety.
Russell's survivalist instincts clash with their naive and "civilized" attitudes toward others, especially when Grimes and his remaining gang offer to trade Mrs. Favor for the money. Their pity for Mrs. Favor's situation eventually outweighs Russell's personal dislike for her and the knowledge that Grimes is using her to bait a trap. Russell gives the money to Billy Lee, asking him to take it back to the Indians from whom it was stolen.
Russell descends from the group's hideout with saddle bags that he pretends are full of the money, while Billy Lee stays in the hideout and aims a rifle at one of the outlaws. Russell cuts Mrs Favor loose and she slowly makes her way up to the group, but by the time Russell throws the saddle bags to Grimes Mrs Favor has collapsed at a point where she is obscuring Billy Lee's target. In the ensuing firefight, although Russell is able to kill Grimes, Billy Lee is unable to prevent an outlaw shooting Russell dead.
Hombre is one of several films in the 1960s portraying the situation of the Native Americans in a different and more truthful way than what had previously been seen in westerns. The film shows the need for both Indian and non-Indian alike to cooperate with each other for mutual benefit. The subplot focuses on the hypocrisy and duality of respectable citizens.
Most reviews of the film are positive. Critics praise the performance of Newman and the writing of Elmore Leonard. Film critic Roger Ebert, in a 1967 review, notes, "The performances are uniformly excellent. Three particularly pleasing ones, however, were from Diane Cilento, the boarding house operator who talks Hombre into his ethical heroics; Richard Boone as the villainous Cicero Grimes, and Martin Balsam, as the good Mexican. Ritt directs with a steady hand, and the dialog by Irving Ravetch and Harriet Frank bears listening to. It's intelligent, and has a certain grace as well. Last year, Richard Brooks' The Professionals was the best-directed film out of Hollywood, and this year it looks as if the honors may rest with Martin Ritt and Hombre." Ebert gave the film a rating of three and a half out of four possible stars in his review.[1]
Hombre has a 100% rating on the film review aggregator Rotten Tomatoes, making it a very "fresh" film.[2]
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